Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
A teabowl with a simple appeal that will blend harmoniously with other, more decorated utensils. Over years of use, glazes such as this will develop subtle changes that deepen their appeal even further.
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This small and charming bowl was crafted by well known Kyoto potter, Kyuho, who often worked with the 14th generation Head Master of the Urasenke Tradition of Tea, Sekiso Tantansai Mugensai (1893-1964). The protective box for this teabowl has...
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
At the time a specific temae was developed to serve tea to a noble person (kinin), it was decided that all utensils, but especially the teabowl, should be used for the very first time. Since the kinin teabowl and the plain wood stand on which it...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Raku pottery [lcsh]
Lid rest, in the three-lobed leaf shape (mitsuba futaoki) that is part of the Rikyu Seven futaoki set and crafted in a crackled white raku glaze known as koro kusuri (incense burner glaze).
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
Lid rest, in the shape of a trivet for a kettle, that is part of the Rikyu Seven futaokii set, made in green and white raku glaze that resembles Oribe ware. This shape of futaoki is used only at times when a trivet is not present in the sunken...
Ceramic vase with ears. Although ceramic vases may be used in either the furo season (May through October when the enclosed brazier is used to heat the kettle) or the ro season (November through April when the sunken hearth is used), the...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh];
Winter hearth (okiro) designed to be used in circumstances when the ro cannot be set flush in the tatami floor. It is placed in the same position within the tearoom as the sunken hearth but stands on top of the tatami.
The characters, which read "FURYU" (an aesthetic concept of naturalness) reproduce the calligraphic hand of the 14th generation Head Master of the Urasenke tradition of tea, Tantansai Mugensai Soshitsu (1893-1964). The potter is Kyuho, with whom...
Japanese tea ceremony [lcsh]; Incense burners and containers [lcsh]
Incense case (kogo) in the style of Annam ware. Annam is the archaic Japanese name for Vietnam. Vietnamese blue and white ceramic ware was particularly prized in the tearoom from the late 16th century onward due to the soft and udnefined quality of...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh];
The identifying feature of the furo trivet is the opening between the two front legs, which accomodate a fire baffle tile, known as maegawara. This controls the flow of air to the fire. The heads of the trivet may come in various shapes; these are...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
The identifying feature of the furo trivet is the opening between the two front legs which accomodate a fire baffle tile, known as maegawara. This controls the flow of air to the fire. The heads of the trivet may come in various shapes; these are...
Individual serving dishes used to serve moist sweets, or "omogashi." The plum blossom design may designate that they are intended to be used in January or February. However, the plum motif also has auspicious connotations so they could be used on...
