Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Scoops [lcsh]
This chashaku, crafted in dark bamboo, was fashioned by Goto Zuigan Roshi, 503rd abbot of Daitokuji ZenTemple in Kyoto, Japan, and first Zen master to Hounsai Daisosho, the 15th generation Urasenke Grand Master. The work exhibits a strong and...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Scoops [lcsh]
This chashaku is crafted from bamboo in the informal (so) style. The maker has given this piece a dignified air, balancing the large node against the straight grooves and pointed tip.
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Scoops [lcsh]
Tea scoop (chashaku) in the informal (so) style with the bamboo node falling in the middle of the scoop. This type of speckled bamboo is named gomadake or "sesame bamboo".
Japanese tea ceremony [lcsh];Tea making paraphernalia [lcsh];Scoops [lcsh]
Three tea scoops, two in the semi-formal (gyo) style with the bamboo node at the tip of the scoop, and one in the informal (so) style with the bamboo node falling in the middle of the scoop. The latter has been carved in a style reminiscent of the...
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This chawan bears a typical black tenmoku glaze on the outside, while on the inside of the bowl a plum design emerges from the ""tortoise shell"" glaze that is typical of Taihizan style tenmoku bowls. The term "tenmoku" refers to historical...
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This chawan is finished with a black Seto glaze that provides a feeling of formality and elegance. The chawan is accompanied by a paulownia box bearing calligraphy that describes its provenance.
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This summer bowl for thin tea bears painted motifs typical of the Kyoto pottery kilns laid over a soft white body glaze. The design, with its colorful floral motifs, suggests the movement of seasons.
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
Hagi ware is thought to originate from the work of two Korean potters, Ri Shakko and Ri Kei, who founded the kiln ( Fukagawa-gama) under the patronage of the Mori clan, sometime around 1604. This teabowl was created by the 12th generation master,...
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This chawan for thin tea is decorated with vigorous white brushwork over a warm-toned glaze. The brushed pattern is known as hakeme, which originated in Korean pottery kilns. It was probably introduced to Japan through the acquisition of imported...
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This example of Kyoto-style painted pottery bears the tsunagi shippo mon, a motif that makes reference to the seven jewels, a geometric motif that arose from Buddhism. The bowl is suitable for preparing thin tea and, as the pattern is without...
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This chawan is a classic example of Zeze ware originating from the Kagero-en kiln. The waisted shape is relatively formal, and the piece has been decorated with an abstract brown, black and yellow glaze typical of the genre. Zeze is known as one of...
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This chawan incorporates a motif known as pine arabesque (matsu karakusa) that emerges just above the foot of the bowl and continues up and over the lip. It is designed for thin tea. Kyoto ware (Kyo-yaki)
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This style of creating pattern through incising and impressing seals originated in Korea. When brought to Japan, the grid-like patterns reminded the Japanese of a famous calendar produced at a temple in Mishima. The technique and the ware...
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
A teabowl with a simple appeal that will blend harmoniously with other, more decorated utensils. Over years of use, glazes such as this will develop subtle changes that deepen their appeal even further.
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh]
This small and charming bowl was crafted by well known Kyoto potter, Kyuho, who often worked with the 14th generation Head Master of the Urasenke Tradition of Tea, Sekiso Tantansai Mugensai (1893-1964). The protective box for this teabowl has...
