The characters, which read "FURYU" (an aesthetic concept of naturalness) reproduce the calligraphic hand of the 14th generation Head Master of the Urasenke tradition of tea, Tantansai Mugensai Soshitsu (1893-1964). The potter is Kyuho, with whom...
Japanese tea ceremony [lcsh]; Drinking vessels [lcsh];
Teabowl suitable for thick tea as well as thin tea. Made by the potter Choraku. The Choraku kiln was founded by Ogawa Choraku (1874-1939). He worked with the 11th and 12th generation masters in the Raku family and established his own kiln in Kyoto...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
The classic, understated design and subdued color of this vessel complements its humble function. The shape of this kensui is called efugo, named after a similar container designed for feeding hawks. Though kensui are also crafted of ceramic or...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
This style of creating pattern thorough incising and impressing seals originated in Korea. When brought to Japan, the grid-like patterns reminded the Japanese of a famous calendar produced at a temple in Mishima.Tthe technique and the ware...
Japanese tea ceremony [lcsh]; Incense burners and containers [lcsh]
Incense case (kogo) in the style of Annam ware. Annam is the archaic Japanese name for Vietnam. Vietnamese blue and white ceramic ware was particularly prized in the tearoom from the late 16th century onward due to the soft and udnefined quality of...
Koita are used to protect the floor under braziers (furo) made of bronze or ceramic. They also provide a strong visual element that anchors the furo arrangement. Though this koita is lacquered, the pleasing pattern of the wood grain has been...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
Koita are used to protect the floor under braziers (furo) made of bronze or ceramic. They also provide a strong visual element that anchors the furo arrangement. Though this koita is lacquered, the pleasing pattern of the wood grain has been...
Used for serving a single fresh moist sweet (namagashi) to a guest, this plate employs a colorful blue motif depicting flower-viewing dumplings (hanami-dango). These skewered, steamed rice dumplings are common during Kyoto's Miyako-odori, a dance...
Used for serving a single fresh moist sweet (namagashi) to a guest, this plate employs a colorful green motif depicting flower-viewing dumplings (hanami-dango). These skewered, steamed rice dumplings are common during Kyoto's Miyako-odori, a dance...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
The "ears" on this fine mizusashi are fashioned in the shape of shrimp, which suggest a congratulatory theme. The work exhibits pleasing ash marks from the firing and the rich, toffee-colored (amegusuri) glaze which is a special attribute of the...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
When a cold water jar (mizusashi) sits on a utensil stand, it is left in the tearoom at the end of the temae. A water replacement pitcher is used to replenish the cold water jar at that time. The Katakuchi shape of this piece is more commonly...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
This unlacquered paulownia box is designed to hold both a ceramic caddy for thick tea (chaire) and lacquered caddy for thick tea (natsume) for the satsubako tea procedure (temae), one of a set of four orally transmitted temae. When a guest...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh];
Stand for water ladle and fire tongs (shakutate) in green raku glaze with highlights in gold, to be used with the formal setting of utensils on a daisu or nagaita utensil stand.
This square ceramic dish is perfectly suited for a serving dish during the kaiseki meal that accompanies a formal tea gathering (chaji). Fashioned in the Oribe style, with its distinctive green glaze and bold designs, it depicts a single flower in...
