Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
This chaire is fashioned in the popular high-shouldered (katatsuki) form with glaze work typical of the Zeze kilns. The shifuku (cover) that accompanies it is fashioned from a satin (donsu) fabric known as Fujitane (a family name), which bears a...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
This chaire in the daikai shape is paired with a cover (shifuku) made of a beautiful donsu fabric featuring motifs of plum, cherry, and tortoise shell. Shifuku for this style of chaire are tied with a special knot designed to fall open with one...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; tea caddies [lcsh]
The 14th generation Urasenke master Tantansai (1893-1964) designed this unlacquered nakatsugi of mulberry wood to be used by students studying the wakin temae. The wakin temae, created by 11th generation Urasanke master Gengensai (1810-1877),...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
The distinctive koma design used for this natsume is of Southeast Asian origin. The design has a long history of use in Japan. The Japanese name for the pattern likens it to a spinning top.
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
This natsume features a design of bush clover (hagi) and pampas grass (suzuki) that suggests the autumn season. They are two of the seven autumn grasses. Maki-e.
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
This unlacquered paulownia box is designed to hold both a ceramic caddy for thick tea (chaire) and lacquered caddy for thick tea (natsume) for the satsubako tea procedure (temae), one of a set of four orally transmitted temae. When a guest...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
The damask (donsu) fabric of this dashibukusa employs a stylized pine cone motif known as karamatsu (Chinese pine) over which an emblem of stylized wisteria leaves has been embroidered in gold thread. It was presented to Nakatani Sokiku in her...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Scoops [lcsh]
This chashaku, crafted in dark bamboo, was fashioned by Goto Zuigan Roshi, 503rd abbot of Daitokuji ZenTemple in Kyoto, Japan, and first Zen master to Hounsai Daisosho, the 15th generation Urasenke Grand Master. The work exhibits a strong and...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
This natsume is decorated in the clouds and brocade (unkin or kumonishiki) pattern, depicting cherry blossoms and maple leaves. The design suggests the passing of time, or the ephemeral nature of existence - a quality that takes the motif beyond...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Shigaraki pottery [lcsh]
The solid, sturdy form and rustic appearance of this mizusashi is typical of the work of the Shigaraki kilns. Its massive appearance provides a strong visual anchor in the tearoom and its subdued color and feeling are appropriate for a wide variety...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
Kobukusa are small, square, silk cloths placed between tea utensils and the hand or floor. They are sometimes used to protect the hands from heat when a non raku-style teabowl (e.g., Hagi, Karatsu, Ido) is chosen for thick tea (koicha) service....
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
Kobukusa are small, square, silk cloths placed between tea utensils and the hand or floor. They are sometimes used to protect the hands from heat when a non raku-style teabowl (e.g., Hagi, Karatsu, Ido) is chosen for thick tea (koicha) service....
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
The chakin is a small white linen cloth that is used to clean and dry the teabowl. In the process of cleansing, the chakin also acts to purify the object it touches. The chakin is seen here folded in the traditional manner, as it would be used in...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Implements, utensils, etc. [lcsh]
When transporting utensils to the site of an outdoor tea gathering, the tea whisk (chasen) is stored in a lacquered wooden sheath (chasenzutsu) inside of the tea utensil box (chabako). It is removed from the sheath during the tea procedure and used...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
This small-sized (ko-hira) natsume was often used by its owner for chabako temae and is decorated with a wild orchid motif. It is very skillfully made, representing many hours of work on the part of the craftsperson. The natsume is accompanied here...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
Tetsubin are small iron kettles with an integral handle that can be used in a variety of more informal tea procedures. Rather than using a ladle (hishaku) to pour the hot water into the teabowl, the host lifts and pours water directly from the...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
Kobukusa are small, square, silk cloths placed between tea utensils and the hand or floor. They are sometimes used to protect the hands from heat when a non raku-style teabowl (e.g., Hagi, Karatsu, Ido) is chosen for thick tea (koicha) service....
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
This chaire is typical of the glazed containers (modeled on early imported Chinese wares) used to hold powdered thick tea. This example is fashioned in the high-shouldered (katatsuki) shape, and features a glaze typical of the Seto kilns. The silk...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
The "ears" on this fine mizusashi are fashioned in the shape of shrimp, which suggest a congratulatory theme. The work exhibits pleasing ash marks from the firing and the rich, toffee-colored (amegusuri) glaze which is a special attribute of the...