Japanese tea ceremony [lcsh]; Implements, utensils, etc. [lcsh]
Ceramic lid rest (futaoki) with stylized pattern of pine trees. Ceramic lid rests are used in conjunction with various types of utensil stands, as they are considered to be more formal than bamboo lid rests.
This fukusa is decorated with soft orange, white, and yellow stripes on a pink ground. Just as the fan (sensu) has come to represent the guest, the fukusa serves to signify the host's role in a tea gathering. The informality of decorated fukusa...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
The damask (donsu) fabric of this dashibukusa employs a stylized pine cone motif known as karamatsu (Chinese pine) over which an emblem of stylized wisteria leaves has been embroidered in gold thread. It was presented to Nakatani Sokiku in her...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
Kobukusa are small, square, silk cloths placed between tea utensils and the hand or floor. They are sometimes used to protect the hands from heat when a non raku-style teabowl (e.g., Hagi, Karatsu, Ido) is chosen for thick tea (koicha) service....
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
Kobukusa are small, square, silk cloths placed between tea utensils and the hand or floor. They are sometimes used to protect the hands from heat when a non raku-style teabowl (e.g., Hagi, Karatsu, Ido) is chosen for thick tea (koicha) service....
Fukusa are finely woven silk cloths designed for purifying tea utensils. The host folds and refolds the fukusa many times during the tea procedure (temae). This woman's fukusa is decorated with a pattern of green maple leaves on a pale green...
Koita are used to protect the floor under braziers (furo) made of bronze or ceramic. They also provide a strong visual element that anchors the furo arrangement. Though this koita is lacquered, the pleasing pattern of the wood grain has been...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
Koita are used to protect the floor under braziers (furo) made of bronze or ceramic. They also provide a strong visual element that anchors the furo arrangement. Though this koita is lacquered, the pleasing pattern of the wood grain has been...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh];
Lid rest for use when a utensil stand is used in the tea procedure. The pattern of paired ginko leaves in green and gold reflect the passage of time from spring green to autumn gold. The ginko has been associated with the Urasenke Tradition of Tea...
Guests at a tea gathering are expected to bring a number of small items with them: folded white paper (kaishi); a yoji; fukusa, kobukusa; kochakin in a small case; and a folding fan (sensu). These items, with the exception of the sensu, are kept...
Japanese tea ceremony [lcsh]; Implements, utensils, etc. [lcsh];
The yoji, a pick for eating moist sweets, is one of the standard items a guest brings to the tearoom. Here, the yoji is sheathed in a slipcase in gold brocade (kinran) fabric decorated with a pattern incorporating plum, tortoise shell, and bamboo...
Japanese tea ceremony [lcsh]; Calligraphy, Japanese [lcsh];
These small cards bearing calligraphy and/or artwork are used to evoke a mood or feeling in keeping with the theme of the tea gathering. Mounted on small hanging scrolls (tanzaku kake), they are displayed in the guest's gathering area or near the...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]
This style of creating pattern thorough incising and impressing seals originated in Korea. When brought to Japan, the grid-like patterns reminded the Japanese of a famous calendar produced at a temple in Mishima.Tthe technique and the ware...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
This chaire is typical of the glazed containers (modeled on early imported Chinese wares) used to hold powdered thick tea. This example is fashioned in the high-shouldered (katatsuki) shape, and features a glaze typical of the Seto kilns. The silk...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
This natsume is decorated in the clouds and brocade (unkin or kumonishiki) pattern, depicting cherry blossoms and maple leaves. The design suggests the passing of time, or the ephemeral nature of existence - a quality that takes the motif beyond...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
The distinctive koma design used for this natsume is of Southeast Asian origin. The design has a long history of use in Japan. The Japanese name for the pattern likens it to a spinning top.
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Tea caddies [lcsh]
This small-sized (ko-hira) natsume was often used by its owner for chabako temae and is decorated with a wild orchid motif. It is very skillfully made, representing many hours of work on the part of the craftsperson. The natsume is accompanied here...
Kobukusa are small, square, silk cloths placed between tea utensils and the hand or floor. They are sometimes used to protect the hands from heat when a non raku-style teabowl (e.g., Hagi, Karatsu, Ido) is chosen for thick tea (koicha) service. ...
Japanese tea ceremony [lcsh]; Tea making paraphernalia [lcsh]; Scoops [lcsh]
This chashaku, with its central node, is a classic example of the informal (so) style. It is accompanied by a silk brocade cover (fukuro) - part of a set of fabric covers (shifuku) designed for chabako. The brocade pattern is known as setsugekka...
